Sometimes it's fun going through some stock shots and giving them another go with Lightroom.
Here's a digital photo from July 2004 that needed minimal tweaking:
This one needed lots of help, and unfortunately it probably needs another scan. I haven't checked the slide in a while; I hope the problems are with the scan (from 2009) and not with the slide (from 1984):
By the way, I took this photo here. Check out what that looks like today.
Finally, a slide that came out OK, though again it seems the scan leaves something to be desired. Middlebury, Vt., 28 July 1992:
Every so often I like to revisit old photos to see if I can improve them. Here's one of my favorites, which I took by the River Arun in Amberley, West Sussex, on 11 June 1992:
The photo above is one of the first direct-slide scans I have, which I originally published here in 2009, right after I took this photo at nearly the same location:
(I'm still kicking myself for not getting the angle right. I'll have to try again next time I'm in the UK.)
Those are the photos as they looked in 2009. Yesterday, during an extended internet outage at my house, I revisited them in Lightroom. Here's the 1992 shot, slightly edited:
And the 2009 shot, with slightly different treatment:
A side note: I did revisit Amberley in 2015, but I took the path up from Arundel instead of going around the northern path back into Amberley as in 2009, so I didn't re-shoot the bridge. Next time.
Photographer Mark Holtzman flew a Cessna 206 over the Rose Bowl on Monday—and captured one of the coolest aerial photos I've ever seen. He explains the shot in The Atlantic:
I’m always talking with them. It’s run under the Pasadena Police, so I get a clearance. They don’t want anybody just flying around during a big event like that, even though you theoretically can. So I was on a discreet frequency, the same frequency as the B-2, talking to them. They know me now.
Unlike film, the way you shoot digital is you shoot wider and crop it in. It’s hard. Things are happening really quick. It’s very fluid. I’m flying at 100 miles per hour. They are flying 200 miles an hour in the other [direction]. So, that’s 300 miles per hour. Things happen really quickly.
For me, my goal was to put the B-2 inside the stadium, preferably in the grass. And I don’t want to block any of the names or other stuff. For this picture, if you block the flag, it takes away from it.
So, first you’re trying to find the B-2 as it is flying toward you. Everything is fluid. I am moving around. They have to be on their target and you have to be on yours. There are no shortcuts. Sometimes it works and sometimes it doesn’t.
You have to see this photo.
I've been in frenetic housecleaning mode today, since it's the first work-from-home Wednesday I've had in...let me see...10 weeks. And apparently I last had my housekeeping service here 16 weeks ago. (It wasn't that bad; I do clean up occasionally.)
The activity and actually having to do my job has led me to miss a couple of news stories, which I will now queue up to read:
- Former President Obama spoke at the Economic Club of Chicago last night, and said, at one point, "American democracy is fragile, and unless care is taken it could follow the path of Nazi Germany in the 1930s."
- Citylab outlines how the tax bill now working its way through reconciliation between the House and Senate will be really, really bad for cities. As if we didn't know. As if that wasn't a feature, rather than a bug.
- And it doesn't take a Nobel-winning economist to understand the chutzpah behind the Republican Party's bait-and-switch on taxes and deficits. "Now, to be fair, there are some people in America who get lots of money they didn’t lift a finger to earn — namely, inheritors of large estates." How true.
- In more neutral news, the Atlantic has the the year in photos (part 1), with more on the way later this week. I especially like the Turkish seagull (#22).
- Finally The Daily WTF has an example of life imitating satire, and it's sad and funny all at the same time.
I'm now going to throw out all the empty boxes in my office closet, though it pains me to do so. After all, someday I might need to return this pair of wired headphones from 1998...
Two photos from Caribbean islands that will probably never look this way again.
Sandy Ground, St. Martin, February 2009:
Playa Negra, Vieques, Puerto Rico, November 2016:
I hope they can rebuild quickly.
Yesterday I posted a photo of the hotel I'm staying in. Apparently it caught my eye on my first trip to New Orleans, in December 2003:
Also, I didn't really take a lot of photos on the 2003 trip, presumably because the camera (a 1.8 Megapixel Nikon E2100) had limited storage.
More Scotland photos. On the 10th, we visited the Lagavulin Distillery. But we got our first look at it from the ferry two days earlier:
Up close, from the ruins of Dunyvaig Castle, it looks like this:
And for comparison between the LG G6 and the Canon 7D mark II, here's the camera-phone photo I took at about the same time:
I promised to post photos from Scotland once I had a chance to go through all 800 or so from my 7D, and today, I had a (short) chance.
First: the Scottish National Gallery, Edinburgh, where we had breakfast on August 8th:
Second, Glenmachrie House, where we stayed:
(This is the reverse of the image I posted earlier, about an hour later, and with a real camera and HDR software.)
I first visited New York in July 1984, stopping by the Metropolitan Museum of Art on the 25th. I took a photograph of Georges de La Tour's "The Fortune Teller," painted sometime between 1620 and 1639:
Last month I visited again, on the 23rd—just two days shy of 33 years later:
Using Adobe Photoshop Lightroom, I have tried to get the photos to look as similar as possible. But my LG G6 phone and its 13 Megapixel camera just provides so much more data than the 4 Megapixel scan of the Kodachrome 64 slide, which itself has such constrained dynamic range, that the modern photo can't help but be clearer.
In fact, the narrow dynamic range of Kodachrome was one of its selling points. The trade-off was its deep, rich colors and detail—none of which a quick 4 MP scan can read.
If I have the opportunity, I'll re-scan the original slide and try again. For now, I leave the diptych above as a demonstration of how far photography has come since I was a kid.
For comparison, here's the reference image from the Met's website: