The Sears death watch continues. Eddie Lampert's combination of incompetence and narcissism has now officially destroyed Sears Canada:
Sears Canada plans to liquidate its remaining stores with the loss of about 12,000 jobs, unable to fend off the march to online shopping after operating in malls and towns across the country for 65 years.
The Toronto-based chain will seek court approval for the filing on Friday and begin liquidation sales at its remaining 150 stores on Oct. 19 at the earliest, according to a statement Tuesday. The move follows a last-minute attempt by Executive Chairman Brandon Stranzl, backed by Blackstone Group, to put together an offer to save the retailer.
But the company said it didn't receive a viable bid to keep the stores operating as a going concern. Sears Canada filed for creditor protection in June with liabilities of $880 million in U.S. currency and had been gradually closing its 225 stores.
This comes just five days after Lampert invested $100m more of his own money in keeping Sears Holdings afloat. Good luck with that.
I think the only justifiable outcome here is for Lampert to become destitute, and then not die or become homeless because of government aid.
I've got a lot going on today, with a final rehearsal tonight before Saturday's dress for Carmina Burana (get tickets here) and two business trips in the next 10 days. But there are a few articles to note in today's media:
Back to work now.
Yesterday, Vice President Mike Pence walked out of an Indianapolis Colts game (after spending $250,000 of taxpayer money to get there) when several players took a knee during the national anthem. His press office followed up with a statement that Pence "left today’s Colts game because President Trump and I will not dignify any event that disrespects our soldiers, our Flag, or our National Anthem."
Meanwhile, the press pool following him had previously been told to wait in the press van because "there may be an early departure." And President Trump later tweeted that he "asked @VP Pence to leave stadium if any players kneeled," both of which rather undermine any claim Pence had to be following his own conscience.
Let us return to the Book of Clemens, Chapter 23, verses 3-5:
Patriotism is merely a religion -- love of country, worship of country, devotion to the country's flag and honor and welfare.
In absolute monarchies it is furnished from the Throne, cut and dried, to the subject; in England and America it is furnished, cut and dried, to the citizen by the politician and the newspaper.
The newspaper-and-politician-manufactured Patriot often gags in private over his dose; but he takes it, and keeps it on his stomach the best he can. Blessed are the meek.
As Josh Marshall has pointed out repeatedly, "In Trumpland, everyone gets hurt. No one emerges with any dignity intact. He’s that ravening maw of ego and appetite and above all else unquenchable need and he has the country by the throat."
Three things, actually:
- Blade Runner 2049
- Chicago Shakespeare Theater's "Taming of the Shrew"
- All of "The Good Place"
Seriously, if you haven't seen these things, go.
In his latest blog post, cartoonist Scott Adams points out the problems with the most common arguments about gun control:
I want to call out the worst arguments I have seen on the issue of banning bump stocks. If you are new to the conversation, a bump stock is a $99 add-on to an AR rifle that turns it into an automatic-like weapon for greater kill power. The Vegas gunman used bump stocks. They are legal, whereas a fully automatic rifle is not.
Many pro-gun people in the debate seem to be confused about the purpose of laws in general. Laws are not designed to eliminate crime. Laws are designed to reduce crime. The most motivated criminals will always find a way, and law-abiding citizens will avoid causing trouble in the first place. Laws are only for the people in the middle who might – under certain situations – commit a crime. Any friction you introduce to that crowd has a statistical chance of making a difference.
Humans are lazy and stupid, on average. If you make something 20% harder to do, a lot of humans will pass. It doesn’t matter what topic you are discussing; if you introduce friction, fewer people do it. With that in mind, let’s look at the least-rational gun control arguments I am seeing lately.
Generally, his criticisms seem right on point. I might take issue around the margins, but for once, I don't find myself swearing at him while reading his blog.
Update: David Frum has a great piece in the Atlantic discussing dumb pro-gun arguments from another perspective.
Pilot Patrick Smith writes an ode to Maho Beach, Sint Maarten, which remains closed after being partially destroyed by Hurricane Irma three weeks ago:
St. Maarten — or St. Martin — is part French and part Dutch. Princess Juliana (SXM) is in the Dutch section, and Maho sits just off end of runway 10. And when I say “just off,” I mean only a few hundred feet from the landing threshold. As arriving planes cross the beach, they are less than a hundred feet overhead. For an idea of close this is, you can check out any of a zillion online pics. Like the one above. Or this one, or this one, or any of hundreds of YouTube videos. Unlike so many other scary-seeming airplane pictures you’ll come across, they are not retouched.
Thus, planespotting at Maho beach is an experience unlike any other in commercial aviation. Not that you need to be an airplane buff to enjoy it. For anybody, the sights, sounds, and sensations of a jetliner screaming overhead at 150 miles-per-hour, nearly at arm’s reach, are somewhere between exhilarating and terrifying.
This is what he's talking about:
One of my favorite authors just got awarded N.Kr. 9m:
The novelist was praised by the Swedish Academy as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".
His most famous novels The Remains of the Day and Never Let Me Go were adapted into highly acclaimed films. He was made an OBE in 1995.
The 62-year-old writer said the award was "flabbergastingly flattering".
His work, which includes scripts for film and television, looks at themes of memory, time and self-delusion.
The Nobel committee praised his latest book The Buried Giant, which was released in 2015, for exploring "how memory relates to oblivion, history to the present, and fantasy to reality".
I've just given a friend a copy of Never Let Me Go, and I've got The Sleeping Giant in my to-be-read pile.
Carl Abbot, writing for CityLab, discusses Blade Runner's impact:
Blade Runner fused the images, using noir atmosphere to turn Future Los Angeles into something dark and threatening rather than bright and hopeful. Flames randomly burst from corporate ziggurats. Searchlights probe the dark sky. But little light reaches the streets where street merchants and food cart proprietors compete with sleazy bars—a setting that Blade Runner 2049 revisits. The dystopic versions of New York in Soylent Green and Escape from New York are set in a city crumbling from age and overuse. In contrast, Blade Runner uses the imagery of the future for similar stories of deeply embedded inequality.
When it comes down to it, of course, there’s more fun and schadenfreude in imagining trouble striking a big city than a small town. Terminator 2: Judgment Day would not be half so exciting if T-1000 chased Arnold Schwarzenegger along the banks of the puny Miami River in Dayton, Ohio, rather than the concrete arroyo of the Los Angeles River. In the 1980s, the fictional destruction of New York was old hat. Los Angeles was a relatively fresh target and, for the film industry, a logistically convenient one. Moviegoers were increasingly willing to disparage it, too.
Blade Runner was a catalyst for a dystopian decade that was accentuated by the rioting and violence that followed the April 1992 acquittal of police officers accused of beating Rodney King. Moviegoers would soon get Falling Down, whose filming was interrupted by the Rodney King riots, Pulp Fiction, and Independence Day, with its total obliteration of the metropolis. In print in the early 1990s were Neal Stephenson’s Snow Crash, Cynthia Kadohata’s In the Heart of the Valley of Love, and Octavia Butler’s Parable of the Sower, all depicting a near-future Los Angeles fragmenting into enclaves and drifting toward chaos, capped by Mike Davis’s The Ecology of Fear.
I've got tickets to Blade Runner 2049 already. Can't wait.
James Fallows eloquently sums up the worst bits of American culture, in the wake of Sunday's mass shooting in Las Vegas:
I am an optimist about most aspects of America’s resilience and adaptability, but not about reversing America’s implicit decision to let these killings go on.
Decision? Yes. Other advanced societies have outbreaks of mass-shooting gun violence. Scotland, in 1996. Australia, in 1996 as well. Norway in 2011. But only in the United States do they come again and again and again.
No other society allows the massacres to keep happening. Everyone around the world knows this about the United States. It is the worst aspect of the American national identity.
The identity of the shooter doesn’t affect how many people are dead or how grievously their families and communities are wounded. But we know that everything about the news coverage and political response would be different, depending on whether the killer turns out to be “merely” a white American man with a non-immigrant-sounding name.
These people are indeed deranged and angry and disturbed, and the full story of today’s killer is not yet known. It is possible that he will prove to have motives or connections beyond whatever was happening in his own mind (as Graeme Wood explains). But we know that if the killers were other than whites with “normal” names, the responsibility for their crime would not be assigned solely to themselves and their tortured psyches.
I've just finished Ta-Nehisi Coates' essay "The First White President." Combined with Trump's performance today in Puerto Rico, and our inability as a polity to slow—let alone stop—gun violence, makes me despair for my country.
President Trump on Tuesday told Puerto Rico officials they should feel “very proud” they haven’t lost thousands of lives like in “a real catastrophe like Katrina,” while adding that the devastated island territory has thrown the nation’s budget “a little out of whack.”
“Every death is a horror, but if you look at a real catastrophe like Katrina, and you look at the tremendous — hundreds and hundreds and hundreds of people that died, and you look at what happened here, with really a storm that was just totally overpowering, nobody’s ever seen anything like this,” Trump said, before turning to a local official to ask how many people had died in storm. “What is your death count as of this moment? 17? 16 people certified, 16 people versus in the thousands.”
“I think it’s now acknowledged what a great job we’ve done, and people are looking at that,” he said. “And in Texas and in Florida, we get an A-plus. And I’ll tell you what, I think we’ve done just as good in Puerto Rico, and it’s actually a much tougher situation. But now the roads are cleared, communications is starting to come back. We need their truck drivers to start driving trucks.”
Video, just in case anyone is making up quotes that show the President as a sociopathic man-child:
It's one thing to make a joke. It's quite another to make a joke like that, in that place, when so many people are already unhappy with your cavalier attitude.